Unmasked in Color
There are versions of us the world finds easier to accept. Clean lines, readable shapes, fixed forms, a single color held long enough to be understood. We learn early how to present those versions. How to stay consistent. How to be legible.
But identity was never meant to be a straight line.
Unmasked in Color started as a thought born in the Year of the Horse, then grew into a study of light. First in sunsets, then in the electric pulse of the city at night. Different sources, the same pull: how light reveals and distorts, how it moves across a surface and changes what we think we see. Somewhere in that curiosity, the work turned inward. Light stopped being something I was observing and became a language for self.
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